The Automobile is a 1977 supernatural horror movie a few a robust, seemingly possessed car that terrorises a small desert city. The native sheriff often is the just one who can cease the evil car.
The film was directed by Elliot Silverstein (Nightmare Honeymoon) from a screenplay written by Michael Butler, Dennis Shryack and Lane Slate.
The film stars James Brolin, Kathleen Lloyd, John Marley and Ronny Cox.
Plot:
Within the fictional Utah neighborhood of Santa Ynez, a mysterious black automotive is terrorising highway customers.
The police are referred to as to the primary of a sequence of hit-and-run deaths, apparently brought on by the identical automotive that seems closely personalized and has no license plate, making identification tough. Sheriff Everett Peck (John Marley) will get a lead on the automotive when it’s witnessed by Amos Clemens (R. G. Armstrong) after it runs over a hitchhiker.
After the automotive claims the sheriff as its fourth sufferer, it turns into the job of Captain Wade Guardian (James Brolin) to cease the deaths. Throughout the ensuing investigation, an eyewitness to the accident claims that there was no driver contained in the car…
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Our assessment:
The supernatural components are labored in quietly – the primary trace we get that this is likely to be greater than only a loopy man behind the wheel comes when the youngsters cover in a cemetery and the automotive is unable to observe them – as a result of it’s consecrated floor. It’s a twist dealt with effectively, and fortunately the movie avoids an excessive amount of dialogue of the demonic (and much more fortunately doesn’t have a automotive exorcist present up).
David Flint, MOVIES and MANIA
Different evaluations:
“Even the dialogue-heavy scenes are entertaining to look at merely for the insane performances on show. I discovered myself grinning incessantly whereas the filler scenes in between Automobile sightings stored me amused. And while you do get to see some Satanic auto-play, the rating (which is a reworked orchestral model of Berlioz-Symphonie Fantastique) does a reasonably good job of setting a sinister tone…” CHUD.com
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“The script both wanted just a few extra drafts or somebody wanted to be a bit extra ruthless within the slicing room. On the plus facet, the Utah places look fabulous, and composer Leonard Rosenman makes comparable use of the Dies Irae as he did when he scored Race with the Satan…” Home of Mortal Cinema
“With its beautiful Panavision desert-scapes, a Planet of the Apes-inspired Leonard Rosenman rating, that includes a reworked, orchestral model of the Dies Irae Gregorian chant, and it even has a credit score to Anton LaVey – how will you not love this Jaws on land providing?” Kultguy’s Maintain
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