Demons of the Thoughts is a 1972 British horror movie directed by Peter Sykes (Venom; The Home in Nightmare Park; To the Satan a Daughter) from a screenplay by Christopher Wicking (Scream and Scream Once more), based mostly on a narrative by Frank Godwin. The film was co-produced by Anglo-EMI, Frank Godwin Productions and Hammer Movie Productions by Michael Carreras and Frank Godwin.
The Hammer Movies manufacturing stars Gillian Hills (Blowup; A Clockwork Orange; The Killer Wore Gloves), Paul Jones (Uncle Jack and the Loch Noch Monster), Robert Hardy (Berserk; Psychomania; Darkish Locations), Patrick Magee (Dementia 13; The Fiend; The Black Cat 1981), Michael Hordern – Whistle and I’ll Come to You; The Possession of Joel Delaney; Theatre of Blood), Shane Briant – Straight on Until Morning; Captain Kronos: Vampire Hunter; Frankenstein and the Monster from Hell) and Kenneth J. Warren (I, Monster; The Creeping Terror; Past Atlantis). Gillian Hills performed a job initially supposed for Marianne Faithfull and Robert Hardy was an alternative choice to a job initially supposed for Eric Porter (Palms of the Ripper).
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Plot:
Rely Zorn, a rich widower, locks up Emil and Elisabeth, his two younger grownup offspring, afraid that they may go mad, as did his spouse. He then invitations Falkenberg, a physician of doubtful repute, to oversee the younger individuals’s psychological well being. In the meantime, within the neighborhood of their mansion, grisly murders are taking place…
Critiques:
“an unique, Wildean horror story, visually as extravagant and tantalising as a decadent portray … badly let down, although, by some grotesque overacting.” Time Out Movie Information
“Though it’s made with fashion …the content material is meagre … The movie’s principal distinction is its violence, largely gratuitous and, within the case of the ultimate massacre, totally disagreeable.” Month-to-month Movie Bulletin
“indirect, bold and suffused with an air of primal dread, Demons of the Thoughts deserved higher.” Marcus Hearn, The Hammer Story: The Authorised Historical past of Hammer Movies
” … a fancy and strange movie which is usually complicated however all the time compelling.” Gary A. Smith, Uneasy Desires
“Though Demons of the Thoughts is complicated and a bit hysterical, a minimum of it’s completely different; and within the copycat world of horror films, that’s price one thing.” Tom Johnson, Deborah Del Vecchio, Hammer Movies: An Exhaustive Filmography
“flashes of nice originality and panache …a dull efficiency from Robert Hardy. EMI hated the movie.” David Pirie, A New Heritage of Horror: The English Gothic Cinema
“Breathless, with glorious exposition of early psychoanalytical strategies, this is likely one of the finest horrors of the interval as a result of it manages to be each thrilling and thought-provoking on the similar time.” Andy Boot, Fragments of Worry: An Illustrated Historical past of British Horror Movies
“a wierd, bleak story of irregular psychology through which Hammer’s attribute interval settings and horror-film clichés such because the raging mob are, for as soon as, used with creativeness.” The Curmudgeon
” …the film has its ardent supporters in addition to its critics. Visually, it’s intriguing sufficient, and it’s all the time fascinating to have a look at. The story stays obscure for lots of the film, although, and you have to preserve in your toes and take note of key scenes to determine simply what’s happening.” Implausible Film Musings and Ramblings
” … a proper load of outdated cobblers, which mixes costume drama with cod psychology and ends with a very gruelling quantity of hand loppings, shootings, stabbings, and burning-crucifix-impalings. What makes it price searching for out are the performances – Hordern’s nutty priest is a sight to see, Hardy is his standard hammy self and Magee is… nicely, Magee.” British Horror Movies
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“Demons of the Thoughts would have labored on a minimum of one stage if we had a purpose to care about Emil and Elizabeth. As neither is given an opportunity to have a character, we see them as uninteresting victims as a substitute of individuals we hope will escape. The ultimate revelation that Elizabeth is simply as vicious as Emil, has no impact.” DVD Savant
” …a daring try at doing one thing completely different. It attracts collectively the traditional curses and torch-wielding mobs of the previous with the psychological disturbance, moral betrayals and fewer forgiving narratives of a distinct form of horror, and someplace within the ensuing tumult of color and noise it finds surprising soul.” Eye for Movie
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